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Conference: Fleeting Voices. Preserving Acoustic Heritage in the Archives and the Arts


Fleeting Voices. Preserving Acoustic Heritage in the Archives and the Arts

Date: October, 1-3, 2025

Venue: University of Applied Arts Vienna – Expositur Rustenschacherallee, Rustenschacherallee 2–4, A–1020 Vienna

Organizers: Katrin Abromeit & Eva Kapeller-Hallama (SONIME https://sonime.at/, Phonogrammarchiv Wien & Universität für angewandte Kunst Wien), Laura Bohnenblust (Universität Wien)

Registration: https://pretix.eu/fleetingvoices/110/

Fleeting Voices. Preserving Acoustic Heritage in the Archives and the Arts marks the first joint collaboration between the research project SONIME – Sonic Memories. Audio Letters in Times of Migration and Mobility, led by Katrin Abromeit (Phonogrammarchiv Vienna) and Eva Kapeller-Hallama (University of Applied Arts Vienna), and the Chair of Cultural Heritage Studies at the University of Vienna (Organization: Laura Bohnenblust).

The experimental conference brings together artistic, scholarly, archival, and conservation perspectives on an equal footing to explore voices as acoustic heritage — their preservation in archives and their significance in the arts. As a transient and fleeting phenomenon, the human voice has increasingly come into focus across disciplines. Especially in a time when authoritarian systems are once again rising to power around the world, the question of how we listen to human voices and engage with their historical dimensions takes on renewed urgency.

Fleeting Voices centers on the voice as a medium and carrier of memory, intimacy, belonging, and identity — particularly within historical and contemporary artistic and archival practices.


Programme

Permanent Installations

Jean-Hugues Chenot & Jean-Etienne Noiré: Bring Your Own Voice Record 2025! INA Saphir station for digitising your private direct cut discs

Rozina Pátkai: Memory Dialogues – interactive sound installation

Natascha Muhic und Christoph Freidhöfer: Cut your own record! Vinylograph Recording Booth


Day 1 – Wednesday, October 1

12:30 Registration and Coffee
13:00 Welcome
Speakers: Clemens Apprich, Noémie Étienne, Kerstin Klenke, Katrin Abromeit, Laura Bohnenblust, Eva Kapeller-Hallama

13:30 MADEYOULOOK: On Reverb and Return: Voice as worldmaking
Chair: Laura Bohnenblust

14:30 Coffee Break

14:45 Panel 1: Politics of Listening
Chair & Discussant: Isabel Frey

  • Senta Hirscheider: Humble Listening to the Frequencies of Empire

  • Cristina Sá Valentim: Engaging with sound through alternative modes of listening. A decolonial approach to an Angolan folk song recorded in the 1950s during Portuguese colonial rule

  • Hippocrates Cheng: A Curated Listening Session — Echoes of Displacement: Revoicing Chinese Diasporic Speech

16:15 Coffee Break

16:30 Panel 2: Present Voices – Absent Histories in Colonial Archives
Chair & Discussant: Noémie Étienne

  • William Carruthers & Fayrouz Kaddal: Intermittent Presences: Tracing Nubia’s Sounds and Voices

  • Lina Ounissi: Echoes of Coexistence: Malouf, Memory and the Politics of Voice in Colonial Constantine

17:30 Coffee Break

18:00 Thomas Macho – Fremde Stimmen
Chair: Isabel Kranz

19:00 Bread & Wine


Day 2 – Thursday, October 2

09:00 Coffee & Bread

09:30 Panel 3: Recorded Voices – Preserved Voices
Chair & Discussant: tba

  • Katrin Abromeit & Johann Hinterstoisser: Material Analysis in the SONIME Project

  • Carmen Rodriguez Godino: Ernest Berk Sound Archive: Restore, Preserve, Engage

  • Barbora Benetková: White Bloom – Understanding the Degradation of Brown-Wax Phonograph Cylinders

11:00 Coffee Break

11:15 Conservation Talk: Cellulose Nitrate Lacquers in Direct Cut Discs
Speakers: Friederike Waentig, Elena Gómez-Sánchez, Simon Kunz

12:15 Lunch Break

13:30 Panel 4: Sending Voices
Chair & Discussant: Kristina Pia Hofer

  • Eva Kapeller-Hallama: Voice Letters in the SONIME Project

  • Luc Marraffa: Listening to Lieneke’s ‘Aether Letters’: Domesticity and Colonial Silences (listening session)

  • Ferenc János Szabó: The Idea and Realization of the ‘Voice Message’ in Hungarian Private Recordings

15:00 Coffee Break

15:30 Panel 5: The Voice Between Documentation and Intimacy
Chair & Discussant: Stephan Puille

  • Lauren Walker: Correspondence Etched in Blue: Audograph Discs of Erle Stanley Gardner

  • Jean-Baptiste Masson: Tapes as Sonic Log Books: The Case of Paul-Émile Victor During His Polar Expeditions

  • Heidi Fial: Reflecting the convergence of amateur film and sound recordings

17:00 Coffee Break

17:30 Thomas Levin – Vocamat, Voice Records, Registon: Alexander Lissiansky and the Pre-History of the Voice-O-Graph Automatic Recording Booth
Chair: Eva Kapeller-Hallama


Day 3 – Friday, October 3

09:00 Welcome with Coffee & Bread

09:30 Andrea Gunnlaugsdóttir, Claudia Lomoschitz & Crystal Wall – Unearthing Grounds – Digging Deep

10:00 Panel 6: Voices in Artistic Practice
Chair & Discussant: Ricarda Denzer

  • Julia Lajta-Novak, Claire Palzer, Shefali Banerji & Rachel Bolle-Debessay: Listening to Poetry: Rethinking Sound in Literary Criticism

  • Laetitia Kozlova: Exhibiting the Sound of the Intimate

11:00 Coffee Break

11:15 Naima Hassan: Notes on a Distributed Person: On Xirsi, and other incantations for Mohamed Nur

12:00 Coffee Break and Snacks

12:30 Round Table Discussion: Fleeting Voices with Gabriele Jutz and Jens Schröter, Chair: tba

14:00 End of Conference

Funding: Austrian Academy of Sciences, University of Vienna, University of Applied Arts Vienna

Organising institutions:

Department Media Theory – University of Applied Arts Vienna

Phonogrammarchiv – Austrian Academy of Sciences

Cultural Heritage Studies – University of Vienna (Faculty Center for Transdisciplinary and Cultural Studies)

supported by Support Art and Research – University of Applied Arts Vienna

Scientific Committee:

Nadia Al-Bagdadi, Clemens Apprich, Ricarda Denzer, Noémie Etienne, Elena Gómez Sánchez, Kerstin Klenke, Simon Kunz, Thomas Y. Levin, Thomas Macho, Stephan Puille, Dirk Rupnow, Jens Schröter

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26 June

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